Money. It doesn't grow on trees and can't buy you love or happiness, but apparently it makes the world go round. The subject of so many songs and clichés, money dominates and determines our life experience, even our identity.

This much is obvious to those who attend the New Horizon Youth Centre, a London-based charity that supports homeless and at risk young people, and aims to help them create a more positive future for themselves. Part of New Horizon's Social Enterprise Project offers young people the chance to improve on essential life skills, such as communication and confidence, by providing workshops in partnership with organisations like the British Museum, and with artists like myself.

So this was how a group of bright young people from New Horizon and I came to be gathered around a table in the British Museum, talking about money, with the Citi Money Gallery Education Manager, Mieka Harris, and the Curator of the Citi Money Gallery, Ben Alsop as part of the Citi Money Gallery Education Programme.

Our discussions were sparked off by some intriguing handling objects, selected by the curator from the Museum's extensive collection ofcoins and currencies. As we lifted the lid on boxes of enigmatic artifacts, money started to appear in all sorts of unexpected guises, unusualmaterials, shapes and sizes. Large heavy crosses of copper weighed alongside tiny slivers of silver, and exotic shells rolled out next to greenknives and pieces of fine silk cloth. The diversity of the designs was remarkable, highlighted by these examples of the different material forms thatmoney has adopted throughout history and across the world. In each of these tokens, we glimpsed something of the time and culture that had originallyissued them for commercial exchange.

While no one in our group could imagine carrying shells in their wallet or swapping copper crosses for goods and services around London, the idea of money as a versatile designed object appealed to everyone. We took a closer look at our own contemporary currency, observing the intricate detail that ensures the designs are as secure as they are symbolic, and a powerful representation of our national identity.

I invited the group to express some of their ideas visually, by designing their own coins. What would they choose to represent if they were creating their own monetary tokens?

After sketching out some of their initial thoughts on paper, the group were given the chance to scribe these designs onto wax discs which would later be cast into bronze and displayed at the British Museum.

From representations of surveillance and state control to symbols of infinity, freedom and love; from expressions of financial lack to being financially on track, the effects of money inscribed by the young people were insightful and revealing. Some coins humorously commented on the cost of living with the words 'arm' and 'leg' while other designs were abstract, like the very notion of money.

Experimenting with these newly-introduced skills of carving and scribing into casting wax, the New Horizon participants deftly worked the material to produce these highly creative results. You can already see some of these personal coin tokens, now cast into bronze, on show in the Citi Money Gallery, located in Room 68 of the British Museum, alongside a selection of the Money No Object wearable prototypes.

After such a fantastic day working with these brilliant young people from the New Horizon Youth Centre and inspiring staff from the British Museum, I am really excited to be continuing this collaboration over the coming months, and exploring the far-reaching significance of money.

To read the complete article, see:
Mind your money: money matters (http://blog.britishmuseum.org/2016/03/11/mind-your-money-money- matters/)