Perhaps the best starting point for a sale like this is a quote from William Spohn Baker, written in November 1884, as it summarizes the inspirations behind this landmarkcollection in the collector's own words:

Baker's name is legendary in American numismatics. For more than a century, it has been associated with the series of Washington medals, as it is he who first systematicallyand exhaustively organized this body of material in the 19th century in his 1885 work, Medallic Portraits of Washington. "Baker" is virtually synonymous with Washingtoniana. Thereare very few names from that period still in use in similar context today, though Sylvester Crosby with his Early Coins of America, Edward Maris' Coins of New Jersey, and WilliamT.R. Marvin's Medals of the Masonic Fraternity come to mind as notable exceptions. It is perhaps the only such case, however, where the original reference collection has remainedintact.

The opportunity to handle a collection like this is, in a word, extraordinary. As a firm, we have handled several collections of the 19th century, the cabinets of the Garrettfamily and Walter Childs coming immediately to mind. However, in the Baker Collection we have something very different from the norm. Where most collections of the period aresomewhat general in scope, or focused on circulating coinage issues, his was a deeply specialized cabinet focused solely on medals collected by a passionate and pioneering studentof the series.

Baker's motivation seems to have been, first and foremost, personal fascination with the historical subject. However, he was also deeply interested in expanding generalunderstanding of the subject and saw the medals as an avenue one could take to accomplish this. The earliest medals were inspired by people who were Washington's contemporaries,and perhaps even knew him directly. Slightly later issues were devised by those who wished to memorialize him or his deeds for the next generation. Later, as Baker observed, theuse of Washington's portrait was seen as adding gravitas to any subject at hand. In his introduction, Baker wrote:

Though it may not have been central to his intent, it is worth noting that Baker's categorizations and groupings illustrated the inspirations for the various issues andseparated the more important historic issues specific to Washington and his memory from those created for purely commercial purposes.

Baker assembled his collection with primarily his own scholarship as a background. A small selection of the early medals had been well-described by James Ross Snowden,published as Medallic Memorials of Washington in the Mint of the United States, in 1861. For this Snowden worked simply from the medals that formed the Washington Cabinetin 1859, the seed that would become the National Numismatic Collection at the Smithsonian Institution. William Sumner Appleton published a listing of his extensive collection in1873, including 296 types he owned and a few additional ones he was aware of. Entries in the American Journal of Numismatics likewise helped with data on known issues.However, Baker collected without benefit of systematic, comprehensive and detailed references as we understand them today. Beyond the mentioned references, and auction catalogsthat offered specimens for sale, information was scarce. There was nothing to place this extensive and ever-increasing body of medallic work honoring Washington into propercontext. In this, Baker saw an opportunity to create a thematic roadmap for future collectors. His goals were to make more accessible the history of the subject, and to expandunderstanding of the objects he enjoyed studying and collecting. He missed very little, and his accomplishment was remarkable. It is illustrative to consider that when Baker wasassembling his collections of medals and engraved portraits, collectors did not have the benefit of easily accessible and vast photographic archives that present-day collectorsrely upon. Collectors had to rely upon the written word, their own imaginations, and experiences with like items. Even Baker's own references were without illustration. Collectingin that time was, by necessity, a thoroughly academic and thoughtful pursuit.

Baker's scholarship on the topic was perhaps unparalleled in his day. In The Pennsylvania Magazine of History and Biography, Vol. 22, No. 1 (1898), published by theHistorical Society of Pennsylvania, John W. Jordan contributed an article, "In Memoriam. William Spohn Baker." Therein, Jordan wrote about the recently deceased Baker, as hiscontemporary:

He practised [sic] his profession for some years, and then turned his attention to literary pursuits and historical research, particularly in all matters relating toWashingtoniana, of which he was recognized the foremost authority in the United States.

His collection of medals, coins, and tokens numbers upwards of eleven hundred pieces. In bequeathing all his treasures to the Historical Society, he knew that they would alwaysbe appreciated and receive the care and attention he had bestowed upon them, and that they would be made accessible to the historical student."

While we as numismatists know him well for his work with the Washington medals, Baker was an ardent student and collector of all scholarly works relating to Washington. Hislibrary included around 500 print volumes on his subject, while his collection of engravings and prints of Washington is said to have numbered as many examples as his cabinet ofmedals. He published numerous works of his own. His reference work on portraits, Engraved Portraits of Washington, was published in 1880, five years in advance of thereference numismatists have used to classify their Washington medals for over a century.

Baker was a lifelong resident of Philadelphia, where he was born in 1824 to parents who had deep roots in the history of the area. One of his maternal great-great grandfathersarrived in Germantown in 1688 and one of his paternal great-grandfathers moved to Philadelphia in 1740, the latter serving in the American Revolution, as did others in his family.Baker was elected a member of the Historical Society of Pennsylvania in 1873 and was devoted to the Society for the remainder of his life. He became a member of its governingCouncil in 1885, and a vice president of the organization in 1892.

According to Jordan's memorial, he was also affiliated with numerous other respected organizations, often holding offices therein. Among these may be counted the PennsylvaniaSociety of the Sons of the Revolution, the American Philosophical Society, the American Historical Association, the American Numismatic and Archaeological Society of New York, theNew Jersey Historical Society, the Society of the War of 1812, and the Colonial Society of Pennsylvania. He was a director of the School of Design for Women for a few years, andserved in the same capacity in the Pennsylvania Academy of Fine Arts, where he later became a vice president. He also held directorships in the Athenaeum of Philadelphia and inthe Commercial National Bank.

To read the complete article, see:
Welcome to Washingtoniana From the Collections of the HistoricalSociety of Pennsylvania Featuring the Collection of William Spohn Baker(https://www.stacksbowers.com/News/Pages/Blogs.aspx?ArticleID=william-spohn-baker-collection-nov-2019)