Sculptors never retire, but Glenna Goodacre has broken the mold. Designer-modeler of the famed Sacagawea Dollar coin announced this week she is retiring. She has given away all her sculpture and all her sculpture tools.

Unlike sculptor Anna Hyatt Huntington, who was climbing ladders still working on oversize models at age 96, Goodacre, now 77, had drastically reduced her three-dimensional work after a head injury from a fall nine years ago. She announced last week she will no longer create any sculpture.

Her existing portraits, monuments, statues, and, of course, her Sacagawea dollar will remain the legacy of her genre career. Despite thepublic's dislike of the coin as a circulating medium, the public adored her design of American historical heritage. Also, it fit theTreasury's mantra for a woman on the coin instead of another dead president.

The Sacagawea portrait was a brilliant design by Glenna Goodacre. Her depiction of a Native American Shoshone mother, in retrograde pose looking back over her shoulder to her papoose strapped on her back, was exceptional. First issued in 2000 it had a nine-year run. But like its predecessor, the Susan B. Anthony dollar, both met the lack of public acceptance.

The Treasury's attempt to differ the dollar coin from a similar-size quarter, it issued the Sacagawea in brass and called it "golden color." It continued Goodacre's design three more years in a Native American Series, 2009-2011, with three different reverses. It, in turn, was replaced by the American Presidents Series, all in the same size and composition.

Goodacre had chosen several art galleries to show her work in the South and Southwest. Galleria Silecchia (sell-a- che-a) in Sarasota, Florida was most prominent. Fortunately for her this gallery was a master of sculpture promotion. It promoted and offered Goodacre's Sacagawea Portrait in a number of ways.

The public could acquire a bronze relief of Sacagawea -- without the lettering appearing on the coin of course -- as well as an edition of the same portrait in terra cotta. Or, the dollar coin on a framed document with Glenna Goodacre's autograph is available as well.

Also, an inspired sculptural creation featuring an eight-inch tall Glenna-created statuette of Sacagawea with outstretched arms, was alsoavailable. On the arms rests the Golden dollar of Sacagawea! A significant compliment to the Sacagawea coin and an excellent display piece for thecollector.

Her generous gifts from her sculpture collection has been given to institutions in her home state of Texas and her adopted state of New Mexico. Rawls College of Business at Texas Tech in Lubbock received the bulk of her sculpture, where she had preciously donated statues, in honor of her parents who graduated there.

Glenna Goodacre's career mirrored, somewhat, that of Electra Wagonner Biggs. Both were Texas gals from wealthy families who had a burning interest in sculpture. Both traveled to New York City to obtain their sculpture training and both were generous in sharing their art with others.

Glenna's father was a developer in Lubbock. Her husband is a lawyer in Dallas. The couple have homes in Dallas, Pecos and Santa Fe, New Mexico and Los Cabos, Mexico. She maintained her studio in Santa Fe where she created her sculptural work.

Other than her coin design, she created nearly 600 sculptural works. Most noted are several monuments including the Women's Vietnam Memorial in Washington, DC, and the Irish Famine Memorial, in Philadelphia, the later contained 25 figures in a 30-foot long tableau.

Her earliest art creations were paintings, but she turned to sculpture in 1969. Her daughter is supermodel Jill Goodacre, active in the 1980s, who often served as a model for her female figures.

A 2009 book, Glenna Goodacre Sculpture, was published detailing her work in honor of 40 years as a sculptor. The Sacagawea Dollar is her only numismatic production.

Additional images of her sculpture can be found at http://www.galleriasilecchia.com/Goodacre/bio.html

For more information on the National Sculpture Society, see: http://nationalsculpture.org/