The final part of the group show is a spectacular latex cast of the old United States Mint created by Jorge Otero-Pailos as part of his ongoing series The Ethics of Dust. Layers upon layers of latex are actively gathered by Otero-Pailos's team as they extract the actual dirt and dust that has accumulated over time on the mint-materials that have become a part of the makeup and history of the building.

What would normally be thought of as the opponent in the preservation process-the visible and unwanted pollution and grime of the building-becomes a thickened, draped, semi-translucent form echoing the multidimensional themes of the exhibit in phenomenological and poetic harmonies.

Visitors pass between these "newly" hung walls of the existing building, walls that have been translated and dispossessed of their physicality. Somewhere in the middle of painting, installation, and architecture, this series of experimental preservation artifacts is able to capture an unspoken essence, an architectural potential, and an environmental actuality with a deft hand and an elegant spirit of means and materiality.

By cleaning the walls in this profoundly contrasting style to how traditional conservation would act to erase the traces of dirt, the passage of time and pollution are able to reveal an intrinsic truth concerning the aging process of buildings, allowing the copy, both interpretation and original, to move to the forefront.

To read the complete article, see:
Boundary-pushing exhibition explores time and scale in architecture and the arts(http://archpaper.com/2016/08/slow-dialogues-time-space-scale-ybca/#gallery-0-slide-0)