The eighteenth century saw the beginnings of a considerable fashion for the production of medals, which gave a platform for the recording and dissemination of information on current events.

The French Revolution, which began in 1789, took place at a time when medallic art was evolving, and the Revolution itself fueled the developments. The dramatic and controversial events that took place in this period were interpreted from many angles.

The Ashmolean Museum holds a fine collection of medals celebrating, commemorating, and lamenting these events; the storming of the Bastille, the abolition of the French monarchy, the executions of the king and queen, and the major constitutional reforms, during the period 1789-1793. Explore a selection of medals, made in France and abroad, that represent these turning points in French history.

Made by Bertrand Andrieu, an important artist of the French Revolution, this medal enjoyed great success. For months before July 1789 there had been a stand-off between the king and the citizens of Paris. In early July there was fighting between the Parisians and King Louis XVI's foreign mercenaries in different parts of the city, including at the Bastille, which was a prison and a depot for gunpowder. On this medal we can see the citizens in the foreground, and the Swiss mercenaries at the highest point of the fortress.

This specimen was bequeathed to Oxford University in 1834 by the Reverend Robert Finch, student of Balliol, antiquarian, and British expat in Rome of the Romantic period.

On another medal by Andrieu, King Louis XVI is depicted entering Paris. His carriage is directly beneath the statue of his father Louis XV, in the square named after him at the time. On 5 October the king had been dragged from his palace at Versailles. He was henceforth required to live in the city, in the now demolished Tuileries Palace. This medal was in the collection of the same Reverend Finch.

From this moment onwards, the fate of the royal family gripped people's attention in monarchist Europe. On the reverse of this medal Louis takes leave from his wife Marie Antoinette and their children. The pose and sentiment are quite modern for the age. Küchler was the engraver at Matthew Boulton's Soho mint in Birmingham. This and the next medal were donated to Oxford University by Matthew Boulton the Younger.

This companion piece to the previous one shows us approximately the same view as #3. The square had in the meantime been renamed Place de la Liberté after a statue of liberty which replaced that of Louis XV. The current name Place de la Concorde was chosen after the reign of Terror. We witness here the moment the king's head has come off and is shown to the members of the National Guard and other spectators.

A fine series of silver medals was produced at the royal Prussian mint at Berlin at the time, engraved by Loos. They are directly accusatory. The mourning figure of royalist France, wearing a cloak embroidered with fleurs-de-lis, is holding the king's urn. The inscription reads . A set of the Loos series of medals was bequeathed to the Ashmolean Museum from the estate of the famous geologist Walter Calverley Trevelyan.

Marie Antoinette was to follow her husband to the same guillotine half a year later. Küchler's design is reminiscent of the sketch by Jean-Louis David which shows the queen on her way to the execution, hands tied behind her back and in simple garment and cap.

To read the complete article, see:
Medals of the French Revolution(https://www.ashmolean.org/article/medals-french-revolution)