In the medallic arts, additional considerations come into play. The type must convey both the necessary information and the mood of the design, all while being readable at a very tiny size. (For araft of examples, check out the Twitter hashtag #FontsOnCoins.) In contrast to the Papyrus font blunder in Avatar, the South African Mint announced in August that the font on its silver Krugerrandhad won a Craft Award for typography in the Loeries, a renowned series that awards excellence in the communications industry in Africa and the Middle East.

The mint had asked Jan Erasmus, one of the top designers in South Africa, to create a font family for the 50th anniversary of the Krugerrand, the world's first bullion coin. The new font would beused not only on the coins but on the related marketing materials. Erasmus opted to recut the Krugerrand's original font, a classic known as "Goudy Old Style." The result was a medium-contrast set ofcharacters, with soft corners and straight edges for a crisper appearance:

The apertures (for example, the hollows within the letters "b" and "d") are more open, to prevent their being filled in by the flow of metal during striking. Pains were taken to ensure the newfont could be struck into a planchet at a minuscule 3-point size under 150 tons of pressure.

Erasmus's attention to detail, consideration for the collector, and creativity not only produced a successful font - which is now seen on millions of 50th-anniversary Krugerrand coins around theworld - but earned the South African Mint a well-deserved Craft Award and heaps of praise.

To read the complete article, see:
How fonts can make or break a project, numismatic or otherwise(http://news.coinupdate.com/how-fonts-can-make-or-break-a-project-numismatic-or-otherwise/)