Medallic Art Company (MACo) hired Joseph E. Renier to make the models for the Morris medal. Renier was born in Union City, NJ in 1887 and he received his early art education at the Art StudentsLeague in New York.

He later studied under M. Victor Rousseau in Brussels and at the American Academy in Rome. In World War I he served with the American Red Cross and he received a commendation from the ItalianGovernment for his work at the wartime settlement at Monteporzio in the Sabine Hills near Rome.

Joseph Renier is most well known for his heroic-size group Speed at the 1939 World's Fair in NYC. For 14 years Renier was an Associate Professor of Life Drawing at the Yale Fine ArtsSchool. He also taught architectural drawing at New York University (NYU) for several years. He designed the Civil War Centennial Medal in 1961 and the Mark Hopkins Medal for the NYU Hall of Fame forGreat Americans series. He modeled medals for the American Heart Association and the VFW. Renier. himself, was the recipient of many awards, The Samuel F. B. Morse Medal, the Elizabeth N. WatrousGold Medal and the Daniel Chester French Medal of the National Academy of Design. Renier was a sculptural traditionalist and was on the Medallic Art Company short list of favored medallists.

In 1950 at the behest of MACo Renier produced these designs for a new American Legion School Award.

These sketches did not find favor with Carlos Morris. He was the Director of American Legion Emblem Sales and in 1950 he submitted the design of the new School Award for US Patent protection andMorris listed himself as the inventor on the patent application. Clyde Trees of Medallic Art returned them to Renier on September 8, 1950 with this note: "They have decided to handle the designfor their pieces through a local artist and it will be purely a commercial item. They will not use sculptured designs such as we have prepared." On October 11, Renier got the purchase order forthe new School Award. "Please proceed with the obverse and reverse models for the American legion as per their design. Make these 10" in diameter. The relief to be the same as the OldAmerican Legion models made by R. Tait McKenzie. The obverse: as we discussed it, the border where the inscription is around is flat and from there, there is a slight convex curvature, not too great,and that will give the appearance of the figures of the soldiers to be of higher relief than they would be on a flat surface. You are to follow the details on the drawing texturely (sic) and make nochange whatever from their conception. This holds good for both obverse and reverse." Joseph Renier rendered his invoice to Medallic Art on October 27, 1950: $300 for the American Legion medalas per drawing submitted.

It is too bad the 'local artist' was not identified in the note from Clyde Trees to Joseph Renier. There is still a question whether Carlos Morris was the actual designer or anIndianapolis artist drew up the design to Morris' specifications. In any case this design is credited to Carlos Morris in this article.

In 1951 the new School Award medal was struck along with the accompanying pin of the reverse or a stand-alone hanging badge. Joseph Renier did an excellent job of recreating the Morris design inbas-relief. This medal in various iterations had a 23 year run.

Harry Waterson adds: