Defoe's metaphor nicely points toward copyright's public ends: both books and brats grow up; their relationship to those who bore them changes over time. Like a farmer's children, books must help their author make hay until they come of age, whereupon they are free to leave home and participate in the larger community.

This history has been on my mind recently because it is about to reappear in a courtroom where Judge Denny Chin of the Federal District Court for the Southern District of New York will very likely hold a hearing later this fall on the proposed settlement of the lawsuit brought by authors and publishers against Google, after Google made digital copies of millions of in-copyright books. The settlement is currently being revised in the wake of objections raised by the Department of Justice and other parties. But whatever form it takes, before he approves it Judge Chin will have to deal with the ghost of Defoe's parental metaphor, come now to pose a riddle Defoe never had to consider: What shall we do with the orphans?

Orphan works are all those Brats whose copyrights are still active but whose parents cannot be found. There are millions of them out there, and they are gumming up the world of publishing. Suppose a publisher wants to print an anthology of 1930s magazine fiction. Copyright now lasts so long (a century in many cases) that the publisher must assume that there are rights holders for all those stories. Suppose that half the owners can't be found. What should the publisher do? Its lawyers will advise abandoning the anthology: statutory damages for copyright infringement now stand between $750 and $150,000 per instance.

Of more than seven million works scanned by Google so far, four to five million appear to be orphaned. If Judge Chin approves the settlement in something close to its current form, the authors and publishers will let Google commercialize these works � sell them, display them online with ads, charge libraries for their use, and more. A portion of the money thus earned will go to Google outright; the rest will go to a new Book Rights Registry, where it will regularly be set aside for five years waiting for absent owners to claim it. At the end of each five-year period, all unclaimed funds will be distributed to the authors and publishers whose works the registry represents.

This is a smart way to untangle the orphan works mess, but it has some serious problems...

To read the complete article, see:Advantage Google(www.nytimes.com/2009/10/04/books/review/Hyde-t.html)