The lore of the landscape was as irresistible to its owner as its beautiful brush strokes: Renoir had painted it, Baltimore collector Saidie May said, for his mistress on a linen napkin at a Paris restaurant along the Seine.

So how did the small painting wind up in a $7 box of junk at a West Virginia flea market more than eight decades after May's ex-husband, Herbert L. May, purchased "On the Shore of the Seine" from a Paris gallery in 1926?

The mystery, which generated headlines this month when an Alexandria auction house announced that it would sell what it believes is that Renoir, became clearer this week when a Washington Post reporter entered the library at the Baltimore Museum of Art. In a box full of Saidie May's letters and artwork receipts lay one major clue: records showing that she had lent the painting to the museum in 1937. The discovery startled museum officials, who had already said the flea-market Renoir never entered their institution.

But armed with the loan registration number, museum officials dug up in their collection records an even-more-astounding clue about the Renoir's journey. An old museum loan registration document revealed that the tiny landscape, measuring 51 / 2 by 9 inches, was stolen Nov. 17, 1951, from the BMA - shortly after May's death.

Now the painting's highly anticipated auction by the Potomack Company has been canceled. The FBI is investigating, and museum officials are trying to learn more about the painting's theft. They couldn't explain why it does not appear on a worldwide registry of stolen and lost art.

To read the complete article, see:Flea-market Renoir allegedly was stolen from Baltimore museum; auction canceled(www.washingtonpost.com/local/flea-market-renoir-was-allegedly
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To read the earlier E-Sylum article, see:FLEA MARKET RENOIR FIND FOR SALE(coinbooks.org/esylum_v15n38a25.html)