As part of his thesis as a student at the Basel School of Design in Switzerland, TravisPurrington wondered what the dollar would look like with a more modern look. His concept jettisonsAmerica's nationalist design language to take a more humanist look at American culture. Andit's about time.

The design of the United States dollar has not significantly changed since 1929, when the older,larger notes used at the time--colloquially referred to as "horse blankets")--were shrankdown to the smaller greenbacks we all know today. Since then, there have been numerous minorrevisions to the design of the dollar, mostly as anti-counterfeiting measures; 1957 saw theaddition of "In God We Trust" to every bill. But the general aesthetic has always beenthe same.

"After the American Revolution, Congress originally struck down the suggestion that GeorgeWashington or any other living man be put on the dollar," Purrington tells me. "Theythought it was monarchical; in fact, that's why Lady Liberty was invented. I guess you couldsay I was trying to think about what our bank notes would look like had Congress stuck to itsdecision."

It's not just the presidents that have been kicked to the curb in Purrington'sreimagined dollar. Also gone are all of the eagles, national monuments, ivy creepers, and bizarremasonic symbolism. In their place are patterned corn fields, astronaut helmets, crashing surfwaves, and our national forests. The green ink we normally associate with our currency has beenswapped out for a more colorful, but still restrained, palette.

Purrington was inspired by the Swiss franc, which is completely redesigned every 20 years or soto make sure that the currency's design language is up to date. But Purrington did not chooseto model his redesigned dollar after the current Swiss franc. Rather, he chose a "lost"design for the franc as his model: the currency designed for Switzerland in 1991 by avant-gardeposter artist Werner Jeker. Jeker's design actually won a contest to replace the current Swissfranc, but it was considered so forward thinking that the President of the Swiss National Bankhimself vetoed using it.

Compared to the Warholian vibe put forward by the lost Swiss franc, Purrington's reimagineddollar bill feels much classier and refined. But just like Jeker's design, Purrington thinks itwould be impossible for his reimagined U.S. currency to ever go into circulation.

To read the complete article, see:
The Dollar Is Too Nationalistic. Here's What It Should Look Like Instead(www.fastcodesign.com/3037579/the-dollar-is-too-patriotic-heres-what-it-should-look-like-instead)