Though paper money here typically bears the visage of Queen Elizabeth, the Brixton district of the city last month released a new 5-pound note designed by Jeremy Deller, an artist who won the prestigious Turner Prize in 2004. It features a fuzzy, psychedelic image of an androgynous face surrounded by rainbow clouds and coruscating, swirling etchings.

"I wanted something old-fashioned looking," Mr. Deller said. "Something almost pre-currency."

One hundred and twenty miles west of Brixton, in the city of Bristol, a pound note issued after a design competition that was open to locals displays a colorful lemur striding atop a vibrant cityscape. The back has magenta-hued, hand-cut stencil illustrations of accomplished denizens, including the author J. K. Rowling and Dr. Elizabeth Blackwell, the first woman to receive a medical degree in the United States.

Many of the new alternative currencies have the look and feel of the regular legal tender accepted at such places. Most include anticounterfeiting measures like holograms and serial numbers. But they are more eye-catching.

At the Effra Social, a Brixton pub, Ewan Graham, 31, an architect, was impressed upon examining one of the district's special pound notes for the first time. "I'd be more inclined to save money if it all looked like that," he said.

The back of the note displayed a Karl Marx quote about capital and its "occult ability to add value to itself." The £10 note, meanwhile, pictured David Bowie, a Brixton native (stardust, or other powdery substance, not included). It's easy to imagine such notes being fetishized as audiophiles do vinyl.

The local currency, though, is intended not as collectible but to encourage trade at the community businesses where they are accepted, rather than chain stores, where money taken in tends to flow out of town and into the coffers of multinational corporations.

One perhaps surprising alternative-currency enthusiast is the former central banker Bernard Lietaer, who was an architect of the European Currency Unit, the convergence system between 12 currencies that led to the euro. Now a professor of money and sustainability at the Sorbonne in Paris, he believes that money is "an extraordinarily emotional object," the immense power of which he likens, psychologically, to sex. Alternative currencies, he suggested, provide an "implicit incentive: I want to give priority to - and I'm willing to make an effort for - my region or community."

To read the complete article, see:
Do You Have Change for a Bowie? The Advent of Artisanal Cash (www.nytimes.com/2015/08/09/fashion/change-for-a-bowie-the-advent-of-artisanal-cash.html)

To read the earlier E-Sylum article, see:
NEW BRIXTON POUND DESIGN BY JEREMY DELLER (www.coinbooks.org/esylum_v18n31a25.html)